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        <title>Brown Suga&#39; Syrup</title>
        <link>http://subhangi.vox.com/library/posts/tags/killing+time/page/1/</link>
        <description>sweet but sticky.</description>
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        <category domain="http://subhangi.vox.com/tags/">killing time</category>  
 
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            <title>oooh, steamy</title>
            <link>http://subhangi.vox.com/library/post/oooh-steamy.html?_c=feed-rss-full</link>   
            <author>nobody@vox.com(Brown Suga&#39;)</author>
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            <pubDate>Thu, 01 May 2008 14:49:52 +0530</pubDate>         
            
            <description>    &lt;p&gt;&amp;#160;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;The Number 23&lt;/em&gt; is a typical Joel Schumacher film - slickly edited whodunit, special effects,&amp;#160;wizardly credits et al. But I quite enjoyed this film - it&amp;#39;s visually good, especially in the flashback parts (which are high-contrast with undertones of green) and the story is plausible enough. Nice to watch with a bowl of popcorn on a weekend.&lt;/p&gt;
&lt;p&gt;&amp;#160;&lt;/p&gt;
&lt;p&gt;One scene&amp;#160;in particular&amp;#160;stood out - Jim Carrey and Virginia Madsen meet at the scene of an arson/killing. The song for this scene, as I found out later, is&amp;#160; called &amp;quot;Tear You Apart&amp;quot;, by a band called She Wants Revenge, whom I&amp;#39;d never heard of until I saw the film. As the video below shows, both the song and the scene go together perfectly. It might not be as effective unless you see the whole film, but you might still want to turn up the AC. ;)&lt;/p&gt;
&lt;p&gt;(warning: lyrics and video Not Safe For Kids.)&lt;/p&gt;
&lt;p&gt;&amp;#160;&lt;/p&gt;

    
    
    

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                &lt;div class=&quot;enclosure-asset-name&quot;&gt;The Number 23: Fingerling meets Fabrizia&lt;/div&gt;
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&lt;p&gt;&lt;/p&gt;
&lt;p&gt;High contrast, undertones of green, both Carrey and Madsen clad in black, Carrey looking uncharacteristically hot (and&amp;#160;that &lt;em&gt;badass&lt;/em&gt; tattoo, oh&amp;#160;my)&amp;#160;... it&amp;#39;s sex, death, bondage and Goth all&amp;#160;rolled into one. Hot damn.&lt;/p&gt;
&lt;p&gt;&amp;#160;&lt;/p&gt;

    
    
    





        





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&lt;p&gt;&lt;/p&gt;
&lt;p&gt;&amp;#160;&lt;/p&gt;
&lt;p&gt;Another song by them that I liked was this one called &amp;quot;Killing Time&amp;quot;. After the first one minute of (rather repetitive) piano, it starts to develop influences of the tango - one of my favourite kinds of&amp;#160;dance and&amp;#160;music.&amp;#160;I could&amp;#160;actually visualise&amp;#160;doing a typical tango sequence&amp;#160;to this song, and the context is very appropriate for the dance as well. &lt;/p&gt;
&lt;p&gt;(Can you tell I&amp;#39;m a sucker for Latin ballroom dances?)&lt;/p&gt;
&lt;p&gt;&amp;#160;&lt;/p&gt;

    
    
    





        





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&lt;p&gt;&amp;#160;&lt;/p&gt;
&lt;p&gt;&amp;#160;&lt;/p&gt;
&lt;p&gt;Except for having a penchant for repeating certain lyrics or&amp;#160;parts,&amp;#160;which can get tiresome and stretch the song unnecessarily, She Wants Revenge seems to be pretty good. I&amp;#39;d like to hear more of their stuff.&lt;/p&gt;
&lt;p&gt;&amp;#160;&lt;/p&gt;    &lt;p style=&quot;clear:both;&quot;&gt;

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